About the Book
A composer and lyricist of enormous innovation and influence, Marc Blitzstein remains one of the most versatile and fascinating figures in the history of American music, his creative output running the gamut from films scores and Broadway operas to art songs and chamber pieces. A prominent leftist and social maverick, Blitzstein constantly pushed the boundaries of convention in mid-century America in both his work and his life.Award-winning
music historian Howard Pollack's new biography covers Blitzstein's life in full, from his childhood in Philadelphia to his violent death in Martinique at age 58. The author describes how this student of
contemporary luminaries Nadia Boulanger and Arnold Schoenberg became swept up in the stormy political atmosphere of the 1920s and 1930s and throughout his career walked the fine line between his formal training and his populist principles. Indeed, Blitzstein developed a unique sound that drew on everything contemporary, from the high modernism of Stravinsky and Hindemith to jazz and Broadway show tunes. Pollack captures the astonishing breadth of Blitzstein's work--from provocative operas like
The Cradle Will Rock, No for an Answer, and Regina, to the wartime Airborne Symphony composed during his years in service, to lesser known ballets, film scores, and stage works. A courageous artist,
Blitzstein translated Bertolt Brecht and Kurt Weill's The Threepenny Opera during the heyday of McCarthyism and the red scare, and turned it into an off-Broadway sensation, its "Mack the Knife" becoming one of the era's biggest hits. Beautifully written, drawing on new interviews with friends and family of the composer, and making extensive use of new archival and secondary sources, Marc Blitzstein presents the most complete biography of this
important American artist.
Table of Contents:
Introduction
Chapter 1: The Boy from Philadelphia
Chapter 2: Journeyman Years
Chapter 3: Early Works (1924-1929)
Chapter 4: Life with Eva, I (1929-1931)
Chapter 5: From is 5 (1929) to the Piano Concerto (1931)
Chapter 6: Life with Eva, II (1932-1936)
Chapter 7: Critical Writings (1931-1940)
Chapter 8: From the Serenade (1932) to The Chesapeake Bay Retriever (1936)
Chapter 9: The Cradle Will Rock, I (1936-7)
Chapter 10: The Cradle Will Rock, II
Chapter 11: From The Spanish Earth (1937) to Danton's Death (1939)
Chapter 12: No for an Answer (1937-1940)
Chapter 13: From Valley Town (1940) to Labor for Victory (1942)
Chapter 14: To London and Back (1942-1945)
Chapter 15: From Freedom Morning (1943) to the Airborne Symphony (1946)
Chapter 16: From Goloopchik (1945) to The Guests (1949)
Chapter 17: Regina, I (1946-49)
Chapter 18: Regina, II
Chapter 19: The Threepenny Opera (1950-54) and Other Adaptations
Chapter 20: Reuben Reuben (1949-1955) and This is the Garden (1956-1957)
Chapter 21: More Music for Shakespeare (1950-58)
Chapter 22: Juno (1957-59)
Chapter 23: Final Years, I (1959-1961)
Chapter 24: Final Years, II (1961-64)
Chapter 25: The Unfinished Operas
Conclusion
About the Author :
Howard Pollack is John and Rebecca Moores Professor of Music at the University of Houston and author of, among other books, John Alden Carpenter: A Chicago Composer; Aaron Copland: The Life and Work of an Uncommon Man; and George Gershwin: His Life and Work.
Review :
"This comprehensive book about the life and music of the sadly neglected composer Marc Blitzstein is, as well, an invaluable guide to the workings of American arts during the composer's lifetime." --Edward Albee, playwright
"Marc Blitzstein was a friend, from the moment we first met in 1946 until he died eighteen years later. Now he lives again in Howard Pollack's pages. As a composer he was one of a kind, with his whistleable tunes encased in wise formality, and his bodily presence, so happy and so sad." --Ned Rorem, composer / author
"A timely and invaluable study of a composer we need to know more about. I marvel at Howard Pollack's capacity--as with his biographies of Copland and Gershwin--to digest and synthesize a wealth of information, copiously gathered." --Joseph Horowitz, author of Classical Music in America: A History
"A strong biography." Playbill
"A brilliantly researched new biography." --Jewish Daily Forward
"Beautifully written, drawing on new interviews with friends and family of the composer, and making extensive use of new archival and secondary sources, Marc Blitzstein presents the most complete biography of this important American artist." --Newreads
"Now, Pollack has made Blitzstein happen, just as he succeeded in his comprehensive studies of Gershwin and Copland." --Jewish Herald Voice
"[An] exceptionally researched, detailed, and important study of this fascinating, complex, and still relatively unknown composer who well deserves a book of this quality." --Notes
"In this comprehensive, sensitive, and beautifully written biography, Howard Pollack scrutinizes every part of Blitzstein's complex personal as well as public life, sustaining his well-deserved reputation as our foremost biographer of American classical composers." --Judith Tick, Matthews Distinguished University Professor, College of Arts, Media, and Design, Northeastern University
"Pollack has already told us everything we need to know about Copland and Gershwin. Now he scrutinises Blitzstein in the context of his entire cultural and political scene in fascinating and impeccably researched detail." --Peter Dickinson, Emeritus Professor of Keele and London Universities
"A thorough biography." --DC Theatre Scene
"Now, Pollack has made Blitzstein happen, just as he succeeded in his comprehensive studies of Gershwin and Copland". --Jewish Herald Voice
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