In this electrifying debut poetry collection--written with the ferocity of Rita Dove's groundbreaking Thomas and Beulah--a critically acclaimed award-winning talent explores a wide range of emotions, from anxiety to ecstasy reflecting the moon's phases, from Waning Gibbous to Full.
Both intimate and intricately structured, this collection of African poetry from Tramaine Suubi is inspired by the moon--its phases' effects on water, the Earth, and our bodies. Phases relishes in the beauty of change, even that caused by heartbreak. Suubi's refreshing, vulnerable verse begs to be underlined, memorized, and shared; each of her poems about love and heartbreak operate as love letters to the cyclical healing that occurs in nature, in our bodies, and in the bodies that have come before us.
A remarkable work of vulnerability and power:
- Women's Poetry: Exploring the depths of love, loss, and identity from a powerful and unflinchingly female perspective.
- A Healing Journey: Structured around the phases of the moon, this collection follows an intimate path from the ache of heartbreak to the peace of self-acceptance.
- African Diaspora Experience: Raw, honest verse that navigates the complexities of being "afrikan in amerikkkais," grappling with home, identity, and belonging.
- Lyrical and Vulnerable Verse: With refreshing honesty that begs to be underlined and shared, Suubi's work is perfect for fans of modern, emotionally resonant poetry.
About the Author :
Tramaine Suubi is a multilingual writer from Kampala, and a graduate of the Iowa Writers' Workshop. They are the author of phases and stages, and their creative writing has appeared in over twenty literary anthologies, journals, magazines, and reviews. They work towards the total liberation of all oppressed people.
Review :
"Suubi's debut collection boldly negotiates the moon's phases, love, and the cycles of lives connected across generations. The poems lay bare the experiences of desire, longing, rejection, grief, and healing. The effect is not dissimilar to the moon's partial visibility when observed by the human eye. We cannot see the entire face of the moon, or the whole arc of this collection, at once. Instead, we examine shadow and light, gradual movement, and trust what's obscured. While the poems are immediate and vulnerable, there's a historical memory here, too, and responsibility to the future."
- Sara Verstynen, Booklist"phases, structured by the various phases and effects of the moon from "waning gibbous" to "full moon," the poems in this deeply sensorial collection span the wholeness and emptiness of love, remembering, desire, joy, anxiety, and questioning. Some, like "sweet nothings," are contemplative and sweetly resigned, while others like "instincts" and "asphyxiation" feel urgent and vulnerable. The "wisest man" is distinctly ferocious and interrogative. A few still, like "phrases" which is written as a prepositional word-play, are skillfully woven and light. Throughout, it is evident that like the phases of the moon, the author, too, is evolving." - Olufunke Grace Bankole, Debutiful
