Hell Put to Shame: The 1921 Murder Farm Massacre and the Horror of America's Second Slavery

A Mystery Writers of America Edgar Award Finalist (Best Fact Crime) * A Virginia Literary Awards Finalist “A haunted, historical legal thriller." — Atlanta Journal-Constitution From the acclaimed New York Times bestselling author of Chesapeake Requiem comes "a powerfully unsettling portrait of the single most savage episode in the long decades of savagery inflicted by white southerners on their Black neighbors in the 20th century" (Douglas A. Blackmon)–the mass killing of eleven Black farmhands on a Georgia plantation in the spring of 1921. On a Sunday morning in the spring of 1921, a small boy made a grim discovery as he played on a riverbank in the cotton country of rural Georgia: the bodies of two drowned men, bound together with wire and chain and weighted with a hundred-pound sack of rocks. Within days a third body turned up in another nearby river, and in the weeks that followed, eight others. And with them a deeper horror: all eleven had been kept in virtual slavery before their deaths. In fact, as America was shocked to learn, the dead were among thousands of Black men enslaved throughout the South in conditions nearly as dire as those before the Civil War. Hell Put to Shame tells the forgotten story of that mass killing and of the revelations about peonage, or debt slavery, that it placed before a public self-satisfied that involuntary servitude had ended at Appomattox more than fifty years before. By turns police procedural, courtroom drama, and political exposé, Hell Put to Shame also reintroduces readers to three Americans who spearheaded the prosecution of John S. Williams, the wealthy plantation owner behind the murders, at a time when white people rarely faced punishment for violence against their Black neighbors. The remarkable polymath James Weldon Johnson, newly appointed the first Black leader of the National Association for the Advancement of Colored People, marshaled the organization into a full-on war against peonage. Johnson’s lieutenant, Walter F. White, a light-skinned, fair-haired, blue-eyed Black man, conducted undercover work at the scene of lynchings and other Jim Crow atrocities, helping to throw a light on such violence and to hasten its end. And Georgia governor Hugh M. Dorsey won the statehouse as a hero of white supremacists—then redeemed himself in spectacular fashion with the “Murder Farm” affair. The result is a story that remains fresh and relevant a century later, as the nation continues to wrestle with seemingly intractable challenges in matters of race and justice. And the 1921 case at its heart argues that the forces that so roil society today have been with us for generations.. 

About the Author :
Earl Swift is the author of the New York Times bestseller Chesapeake Requiem, which was named to ten best of the year lists. His other books include Auto Biography and The Big Roads. A longtime reporter for the Virginian-Pilot, he has been a residential fellow at the Virginia Foundation for the Humanities at the University of Virginia since 2012.

Review :
“Propulsive… .The ease of reading Swift’s efficient prose belies its elegance… .This is a must-read.” — Publishers Weekly (starred review) "A gripping, memorable work that wholly confronts a hellish past that continues to bleed into the present. ...This unflinching narrative will make readers examine not only America’s dark history, but also the disheartening parallels that exist today." — Kirkus Reviews (starred review) "Hell Put to Shame is a powerfully unsettling portrait of the single most savage episode in the long decades of savagery inflicted by white southerners on their black neighbors in the 20th century—and the methodical process that followed to erase those crimes from America’s collective memory." — Douglas A. Blackmon, author of Slavery by Another Name, winner of the Pulitzer Prize "Here is a 1920s tale of a serial murderer whose long record of civil rights cruelties and grotesque crimes was matched only by the steadfast bravery of a few individuals who peered into the depths and could take no more. If Killers of the Flower Moon could somehow be fused with The Devil in the White City and Django Unchained, you might get some idea of the scope of the evil that Earl Swift has so carefully documented in chilling and enraging detail, much of it rendered in incredibly vivid scenes of courtroom drama.” — Hampton Sides, New York Times bestselling author of Hellhound On His Trail “Swift shines a powerful light on the practice of debt slavery… A blunt portrait of the racial injustice coursing through America and of the organizations that rose to fight it.” — New York Times Book Review “A haunted, historical legal thriller — Atlanta Journal-Constitution