Lost in Austin: The Evolution of an American City

A long-time Austinite and journalist’s exploration of the profound movements that have shaped Austin, Texas—charting the shifts within its vibrant music scene, the impact of rapid urbanization, and the challenges of gentrification—ultimately questioning what this city’s transformation signals for American urban identity. Austin isn’t what it used to be. This is a common sentiment amongst locals, offered with the same confused—and often disappointed—tone familiar to residents of Seattle, Portland, or San Francisco, where rapid growth and expansion have led to an urban identity crisis. Like those cities, Austin is known for its unique qualities: a thriving live music scene and housing affordability that historically made it a compelling home for creatives and self-described weirdos to roost. But now, as Big Tech infiltrates and climate change looms, Austin has become less familiar—and far less affordable. An exploration of the beloved city’s evolution, Lost in Austin also serves as a critical exploration of the transformation that has befallen one of America’s most beloved cities—and serves as a warning for what the homogenization of cities means for American urban identity. With a journalist’s perspective and the heart of an Austinite, Alex Hannaford delves into the consequences of the city’s rapid growth in chapters that chronicle the major movements permanently altering the city: a vanishing music scene, soaring property values, and the encroachment of major industry. Through keen reportage and extensive interviews, Lost in Austin unveils the toll of unchecked growth and the city’s shift from its rebellious spirit to commercialization. Through those stories—vibrant, colorful, and clearly full of love for this city—Hannaford raises a crucial question: How do American cities, once celebrated for their unique values, became casualties of their own rapid growth and success? And can they ever return to what they once were?

About the Author :
Alex Hannaford has worked as a journalist since 1997 and has contributed to publications including The Guardian & Observer, British GQ, The Sunday Times, The Atlantic, and The Nation. He cowrote and hosted Dead Man Talking, a crime podcast for Audioboom, available on Apple Podcasts, Spotify, etc. which won silver at the 2019 British Podcast Awards. He is the writer and director of The Last 40 Miles, an award-winning animated short film about the death penalty. Alex is a Fellow of The Dart Center for Journalism & Trauma at Columbia University.

Review :
“Today, Austin is the 11th-largest city in the United States, with all the problems that arise from rapid growth and the complacency of officialdom. Hannaford chronicles the evolution and effects of each in meticulous detail.” — Los Angeles Review of Books “Breezy and readable...” — Texas Monthly “An exploration of the profound movements that have shaped Austin — charting the shifts within its vibrant music scene, the impact of rapid urbanization, and the challenges of gentrification — ultimately questioning what Austin’s transformation signals for the future of American cities.” — The Barbed Wire “Well researched and eloquent, this book will appeal to those interested in gentrification, urban development, and city life.” — Laurie Unger Skinner, Booklist “A model of first-rate reportage.” — Kirkus Reviews “Compulsively readable, Lost in Austin is more than an account of how British journalist Alex Hannaford fell in and out of love with the Texas capital. Beneath its affable, engaging surface is a sharp, tough-minded look at how and why our neighborhoods, our cities and our country have changed almost beyond recognition.” — Francine Prose, author of 1974: A Personal History “Lost in Austin is part rhapsody, part elegy, a clear-headed look at the Austin that always was and perhaps can never be again. It’s a book for those of us who live in Austin and are having increasing trouble remembering its 'slow beating heart and warm embrace.' And for everyone who lives anywhere and wants to understand how easily the identity of any city can be sold off and replaced by slogans.” — Stephen Harrigan, author of The Gates of the Alamo