About the Book
Praised as “utterly remarkable” and “deeply resonant” by Pulitzer Prize-winning authors Viet Thanh Nguyen and Robert Olen Butler, a bold and brilliant debut collection, in the vein of The Refugees, which dramatizes the Chinese diaspora across the globe over the past hundred years.
Set on five continents and spanning decades, We Two Alone traces the arc and evolution of the Chinese immigrant experience. A young laundry boy risks his life, pretending to be a girl to play organized hockey in Canada in the 1920s. A Canadian couple is caught when Shanghai succumbs to violence during the Second Sino-Japanese War. A family sttempts to buy a home in South Africa in the early years of apartheid. An actor in New York struggles to keep his career alive while yearning to reconcile with his estranged wife.
From the vulnerable and disenfranchised to the educated and privileged, the characters in this extraordinary collection embody the diversity of the Chinese diaspora past and present. In these deeply affecting stories, Jack Wang subverts expectations as he captures the hope, pain, and sacrifices of the millions who journey into the unknown to create better lives, and explores the shifting boundaries of morality, the intimacies and failings of love, and the choices circumstances force us to make.
About the Author :
Jack Wang received an MFA from the University of Arizona and a PhD in English from Florida State University. His fiction has been shortlisted for the Commonwealth Short Story Prize and longlisted for the Journey Prize. In 2014-2015, he held the David T. K. Wong Creative Writing Fellowship at the University of East Anglia in Norwich, England. Originally from Vancouver, Canada, Wang is an associate professor of writing at Ithaca College in Ithaca, New York, where he lives with his wife, novelist Angelina Mirabella, and their two daughters.
Review :
"Wang has the distinct skill of evoking time and place, many eras, many places, and putting his characters, and the reader in them. For this, for his erudition, for his poetic prose, readers of short fiction should search out any short story he writes." — New York Journal of Books
"These moving stories are both global and intimate as they span the continents where the Chinese diaspora has settled. With ingenuity and impeccable craft, Jack Wang gives us an utterly remarkable collection that zeroes in on the emotional texture of utterly unique lives.” — Viet Thanh Nguyen, Pulitzer Prize–winning author of The Sympathizer
“Jack Wang’s We Two Alone is not only a penetrating examination of the Chinese diaspora, it also brilliantly renders its subject in the most deeply resonant universal way, as the yearning for personal identity that drives us all in our shared humanity. This is a remarkable collection of stories, a remarkable work of art.”
— Robert Olen Butler, Pulitzer Prize–winning author of A Good Scent from a Strange Mountain
“Jack Wang’s dazzling first collection of stories, We Two Alone, moves through decades and across continents with rare ease, telling not the story but some of the many stories of the Chinese diaspora in the last century. These stories are so elegantly shaped, so satisfying as individual stories, that their collective power sneaks up on you. There is a quiet and building intensity to the storytelling here, a commitment to chronicling — with deep compassion and a refusal of easy answers—the dignity of human experience against the broader indignities of history. I was moved, heartbroken, and thrilled.” — Emily Fridlund, author of the Booker Prize finalist History of Wolves
"Wang’s elegant debut delves into the heterogeneity of the Chinese diaspora in stories that take the reader to settings as disparate as 1920s Canada and Nazi-occupied Vienna....Wang’s prose is subtle and economical, well suited to his themes of disappointment, alienation, and departure. As the stories build on one another, they create a portrait full of both nuance and grace." — Publishers Weekly
“This impressive and vibrant collection of stories takes the reader by the hand, leading us across the world and back in time. But they’re all unified by the gentle sensitivity of Jack Wang’s prose and his ability to inhabit characters who long for freedom, connection, and fulfillment. Deeply humane and beautifully wrought, these stories stay in the heart and the mind.” — Alix Ohlin, author of the Scotiabank Giller Prize finalists Dual Citizens and Inside
"These moving stories are both global and intimate as they span the continents where the Chinese diaspora has settled. With ingenuity and impeccable craft, Jack Wang gives us an utterly remarkable collection that zeroes in on the emotional texture of utterly unique lives.” — Viet Thanh Nguyen, Pulitzer Prize–winning author of The Sympathizer
“A brilliant and ambitious vision of a hundred years of solitude: the Chinese diaspora navigated with courage, cleverness, and grace...As Frank O’Connor said, in the best short stories we find ‘an intense awareness of human loneliness.’ But these characters cross continents and oceans to free themselves from history and from their own ‘tiny flames,’ seeking peace, work, adventure, fame, and, above all, love. This is a delicately wrought and deeply moving book from an exceptional new voice.” — Eleanor Henderson, author of The Twelve-Mile Straight and Ten Thousand Saints
“This impressive and vibrant collection of stories takes the reader by the hand, leading us across the world and back in time. But they’re all unified by the gentle sensitivity of Jack Wang’s prose and his ability to inhabit characters who long for freedom, connection, and fulfillment. Deeply humane and beautifully wrought, these stories stay in the heart and the mind.” — Alix Ohlin, author of the Scotiabank Giller Prize finalists Dual Citizens and Inside
“Jack Wang’s dazzling first collection of stories, We Two Alone, moves through decades and across continents with rare ease, telling not the story but some of the many stories of the Chinese diaspora in the last century. These stories are so elegantly shaped, so satisfying as individual stories, that their collective power sneaks up on you. There is a quiet and building intensity to the storytelling here, a commitment to chronicling — with deep compassion and a refusal of easy answers—the dignity of human experience against the broader indignities of history. I was moved, heartbroken, and thrilled.” — Emily Fridlund, author of the Booker Prize finalist History of Wolves
"The seven impeccable stories in Jack Wang's excellent debut collection feature a diasporic Chinese cast over decades and across continents....Wang writes with masterful assurance, eschewing labels, and creating exquisite gems of universal empathy." — Shelf Awareness, starred
"Wang has the distinct skill of evoking time and place, many eras, many places, and putting his characters, and the reader in them. For this, for his erudition, for his poetic prose, readers of short fiction should search out any short story he writes." — New York Journal of Books
“Jack Wang’s We Two Alone is not only a penetrating examination of the Chinese diaspora, it also brilliantly renders its subject in the most deeply resonant universal way, as the yearning for personal identity that drives us all in our shared humanity. This is a remarkable collection of stories, a remarkable work of art.”
— Robert Olen Butler, Pulitzer Prize–winning author of A Good Scent from a Strange Mountain
“A brilliant and ambitious vision of a hundred years of solitude: the Chinese diaspora navigated with courage, cleverness, and grace...As Frank O’Connor said, in the best short stories we find ‘an intense awareness of human loneliness.’ But these characters cross continents and oceans to free themselves from history and from their own ‘tiny flames,’ seeking peace, work, adventure, fame, and, above all, love. This is a delicately wrought and deeply moving book from an exceptional new voice.” — Eleanor Henderson, author of The Twelve-Mile Straight and Ten Thousand Saints
"Wang’s elegant debut delves into the heterogeneity of the Chinese diaspora in stories that take the reader to settings as disparate as 1920s Canada and Nazi-occupied Vienna....Wang’s prose is subtle and economical, well suited to his themes of disappointment, alienation, and departure. As the stories build on one another, they create a portrait full of both nuance and grace." — Publishers Weekly
