In this rowdy, frank reflection on illness, fame, sex, and everything in between, the remarkable mind behind the hit series Girls and the bestselling author of Not That Kind of Girl asks whether fulfilling her creative ambitions has been worth the pain.
For the last decade, as she’s spent countless hours in doctor’s waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham’s body has felt, as she puts it, 'like towing a wrecked car across town at midnight.' It’s not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you – as a twenty-five-year-old – are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist’s office to discuss the latest internet disaster. But Dunham does it – even if it means interminable hospital stays, vomiting in the bathroom when she’s meant to be meeting Oprah, or terrifying those closest to her – because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again – if only she could remember who that self was.
As Dunham takes us through her journey, tracking her rise to fame – from selling the pilot of Girls to the present – in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can’t protect you from pain – and begins to control your every move – being famous doesn’t stand a chance against the darker corners of the human experience.
In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can’t change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves.
About the Author :
Lena Dunham is an award-winning actor, writer, director, producer and philanthropist. Her 2014 memoir, Not That Kind of Girl, was a #1 New York Times best seller. She recently returned to television with the Netflix romcom Too Much, which she wrote, directed and co-created with her husband Luis Felber. Dunham created and starred in HBO’s GIRLS, earning eight Emmy nominations and two Golden Globes, and making history as the first woman to win a DGA Award for Best TV Comedy Director.
Review :
Praise for Not That Kind of Girl:
‘It’s not Lena Dunham’s candor that makes me gasp. Rather, it’s her writing – which is full of surprises where you least expect them. This is a fine, subversive book’ David Sedaris
‘Always funny, sometimes wrenching, these essays are a testament to the creative wonder that is Lena Dunham’ Judy Blume
‘Dunham’s writing is just as smart, honest, sophisticated, dangerous, and charming as her work on ‘Girls’. Its essential quality is a kind of joyful super-awareness: of herself, the world, the human. Reading her makes you glad to be in the world, and glad that she’s in it with you’ George Saunders
‘Very few women have become famous for being who they actually are, nuanced and imperfect. When honesty happens, it’s usually couched in self-ridicule or self-help. Dunham doesn’t apologise like that – she simply tells her story as if it might be interesting. The result is shocking and radical because it is utterly familiar. ‘Not That Kind of Girl’ is hilarious, artful, and staggeringly intimate; I read it shivering with recognition’ Miranda July
‘Frank, fearless and funny … made me want to cry out with thanks that a talented, intelligent woman has said and done worse things than I have and is repeating them without a scrap of shame … ‘Not That Kind of Girl’ is funny, empowering and as good a millennial guide for navigating and laughing at your foggy adolescence and murky twenties as there can be. I only wish it had been around earlier’ Sunday Times
‘I love Lena’s book … more shocking than I was expecting, sadder and more beautiful – anyway; within a few pages … I’m charmed, anxious, furious and totally committed’ Observer
‘Very funny … and imbues the gloom with hope … “Having it all” need not mean hitting narrow markers of success – the perfect job/man/body – but instead being able to own your experiences: the good, the bad, the ugly. All of it’ Independent
‘Dunham’s first book is seldom less than very funny’ Sunday Telegraph
