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Home > Art, Film & Photography > Music > Theory of music & musicology > Noisy Memory: Recording Sound, Performing Archives
Noisy Memory: Recording Sound, Performing Archives

Noisy Memory: Recording Sound, Performing Archives


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About the Book

Composer and sound artist Brian Harnetty explores the remarkable everyday stories of sound recordings and shows us a new way to listen to the past. From murder ballads and oral histories in Appalachian Ohio, to the Afrofuturistic music of Sun Ra in Chicago, to the thoughts of monk and writer Thomas Merton in Kentucky captured on audiotape, Harnetty reveals rich historical contexts of the recordings, and introduces us to people and places connected to them. The result is a new, interdisciplinary approach to sound archives, listening, creative practice, and community engagement. Drawing upon his two-decade career as an artist and researcher, Harnetty builds upon and expands the tradition of composers and artists writing about their work. A unique combination of ethnography, memoir, philosophical text, and creative process book, Noisy Memory presents both scholarly and creative approaches to ethically working with sound archives.

About the Author :
Brian Harnetty is an interdisciplinary sound artist, composer, and author.

Review :
"Harnetty trac[es] decades of his career in rich, engaging detail . . . min[ing] his memories throughout, exploring the many human connections that have helped to bring his archival albums more fully to life, while also accounting for the ways that time has evolved the emotional weight carried by certain projects."--Andy Downing, Matter News "A beautifully rendered mix of memoir, creative practice, deep listening, and social history, Noisy Memory insists that cultural studies can be both scholarly and personal, artful and ethical. Brian Harnetty reminds us that archival study is never neutral but always situated--materially, socially, historically, and politically--in community. This book is a model for community-engaged humanistic scholarship."--Ryan Thomas Skinner, author of Afro-Sweden: Becoming Black in a Color-Blind Country "A deeply personal rumination on how [Harnetty] listens empathetically and critically to diverse forms of recordings. . . . Comparing musical analysis, a form of sonic ethnography, and composition to literary writing, he maintains that understanding requires concerted recognition of time and place."--Library Journal


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Product Details
  • ISBN-13: 9781469691336
  • Publisher: The University of North Carolina Press
  • Publisher Imprint: The University of North Carolina Press
  • Height: 235 mm
  • No of Pages: 208
  • Sub Title: Recording Sound, Performing Archives
  • ISBN-10: 1469691337
  • Publisher Date: 26 Aug 2025
  • Binding: Hardback
  • Language: English
  • Spine Width: 155 mm
  • Width: 25 mm


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