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Home > History and Archaeology > History > Venice, Its Individual Growth from the Earliest Beginnings to the Fall of the Republic (Volume 3)
Venice, Its Individual Growth from the Earliest Beginnings to the Fall of the Republic (Volume 3)

Venice, Its Individual Growth from the Earliest Beginnings to the Fall of the Republic (Volume 3)


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About the Book

This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1907. Not illustrated. Excerpt: ... CHAPTER V ARCHITECTURE, SCULPTURE, AND PAINTING AT epochs of advanced civilisation the manifesta/ tions of genius occur more frequently and more L m strikingly than at other times. As in the preparatory period of toil and labour individual genius (with some rare exceptions) appears to a certain extent to be hampered and incomplete, so in the golden age of a people's history it seems to reflect the serene splendour of the historical moment. The artists born at the time when Venice, having over-passed the period of her rude and early greatness, touched the acme of her external splendour, translate the triumph of their country into terms of their art which set its seal on the period in a revel of colour and of form. In architecture the style of the pointed arch, which had superseded the Byzantine and Roman arches, now in its turn began to yield its place to that harmony and balance which characterise the art of the Renaissance. It is impossible to separate definitely and sharply the architectural and decorative style of the Middle Ages from that of the new era, for the first mingles with the second, the second borrows something from the first. Yet there are striking differences, and we must bear in mind that the style of the Renaissance is not identical throughout all Italy. Each region has, so to speak, its local genius which shows, it is true, its direct descent from the decorative art of ancient Rome, but which varies and combines its material in obedience to local usage and tradition, and very often in obedience to the ideas of some artist of dominating genius who is VOL. I.--7 therefore frequently imitated. Thus the Renaissance style in Lombardy, very different from the same style in Venice, takes its imprint from Bramante, Suardi, called Bramantino, Ambrogio ...


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Product Details
  • ISBN-13: 9781235358029
  • Publisher: General Books
  • Publisher Imprint: General Books
  • Height: 246 mm
  • No of Pages: 94
  • Spine Width: 5 mm
  • Width: 189 mm
  • ISBN-10: 123535802X
  • Publisher Date: 15 Jan 2012
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 181 gr

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Venice, Its Individual Growth from the Earliest Beginnings to the Fall of the Republic (Volume 3)
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