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Home > History and Archaeology > History > Introduction to the Study of Indian Music; An Attempt to Reconcile Modern Hindustani Music with Ancient Musical Theory and to Propound an Accurate and
Introduction to the Study of Indian Music; An Attempt to Reconcile Modern Hindustani Music with Ancient Musical Theory and to Propound an Accurate and

Introduction to the Study of Indian Music; An Attempt to Reconcile Modern Hindustani Music with Ancient Musical Theory and to Propound an Accurate and


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About the Book

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1913 Excerpt: ...The rule above stated as to the time-value of such rests is founded on the practice of Indian singers. Sometimes notes which do not come at the end of a legato phrase are played in a detached manner. This is called staccato. There are three degrees of staccato, shown by (i) a slur and dots above or beneath the notes, (2) by dots alone, (3) by dashes. The effect of each is here shown in the same manner as above by writing the "laya" or matra-values in fractions. Emphasis or accent is sometimes shown by grouping, as above stated; it also follows from the nature of the measure, a subject to be dealt with; occasionally a special emphasis is given to a particular note apart from that which comes naturally from the measure or the phrasing. Emphasis of this kind is denoted by the signs Aor placed above or below the note in question. When very strong emphasis is required the letters Sf are used. Music set to time is divided into measures (avartas), which are marked off by upright lines or bars. The measure consists of a stated number of matras with accents occurring at regular intervals. Accents are: strong (sam), medium (tali), or weak (khal). The strong accent follows immediately after the bar; the medium accent follows the dotted bar; and the weak accent follows the dotted half-bar. The character of the measure may be shown by a time signature. A very good form of signature is one adopted by Mr. H. P. Krishnarao, of Mysore (" First Steps in Hindu Music," Weekes & Co., London). Above are noted the matras upon which the chief accents fall, and below the number of matras in a measure and their time-value. Thus Jl means that there are eight O I matras represented by crotchets in the measure, and that the accent falls on the 1st, Sth, and 7th....


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Product Details
  • ISBN-13: 9781231539200
  • Publisher: Rarebooksclub.com
  • Publisher Imprint: Rarebooksclub.com
  • Height: 246 mm
  • No of Pages: 30
  • Spine Width: 2 mm
  • Width: 189 mm
  • ISBN-10: 1231539208
  • Publisher Date: 12 May 2012
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 73 gr

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