About the Book
The aftermath of World War II sent thousands of Estonian refugees into Europe. The years of Estonian independence (1917-1940) had given them a taste of freedom and so relocation to displaced person (DP) camps in post-war Germany was extremely painful. One way in which Estonians dealt with the chaos and trauma of WWII and its aftermath was through choral singing. Just as song festivals helped establish national identity in 1869, song festivals promoted cultural cohesiveness for Estonians in WWII displaced person camps. A key turning point in hope for the Estonian DPs was the 1947 Augsburg Song Festival, which is the center point of this book. As Estonian DPs dispersed to Australia, Canada, Europe, and the United States these choirs and song festivals gave Estonians the resilience to retain their identity and to thrive in their new homes. This history of Estonian WWII DP camp choirs and song festivals is gathered from the stories of many courageous individuals and filled with the tenacious spirit of the Estonian singing culture. This work contributes to an understanding of immigration, identity, and resilience and is particularly important within the field of music regarding music and healing, music and identity, historical musicology, ethnomusicology, and music and politics.
Table of Contents:
Chapter 1: Estonian Self-Determination through Music: the "Time of Awakening"
Chapter 2: We Will Go Home Soon: Estonian Displaced Persons Camps in Post War Germany
Chapter 3: "So We Decided to Start a Choir": Forming Choirs in the DP Camps
Chapter 4: Welcome to the Singing Party!: The 1947 Augsburg Song Festival
Chapter 5:" First I Chose Songs that Everyone Knew": Choir Directors, Scores, Repertoire, and Composers in Estonian Displaced Person Camps
Chapter 7: Song Festivals and Resilience: Singing Toward a Brighter Future
Appendices:
A: Choral Music Timeline
B: Maps
B.1 Map of Estonia with locations mentioned in book.
B.2 Map of Estonian DP Camps in Germany 1945-1952.
C: List of Repertoire from Camps
D: Handwritten Scores Used in the Camps:
D.1-D.9 Aino Mӓgi scores,
D.10-D.20 Inno Salasoo scores
About the Author :
Ramona Holmes is Professor Emerita at Seattle Pacific University where she taught ethnomusicology and music education for twenty-five years. She plays violin, sings, and dances as part of the Seattle and Portland Estonian communities.
Review :
"A must-read showing the power of choral music to provide hope and unity even in the darkest of days. Dr. Holmes has preserved an important part of Estonians' lives as refugees in displaced persons camps in Germany that would otherwise have been lost."
Liina Teose, Estonian American National Council 2016 Outstanding Achievement award recipient
"Resilient Voices is a major contribution to the study of Estonian choral music and song festivals, published at a time when musicians worldwide are intensely thinking about their mission and purpose. It also fills a critical gap in the international war migration studies, a research field that, unfortunately, has expanded dramatically in recent years...This book is a valuable resource for libraries serving high school and university choral programs, and its affordable digital version will be useful in upper level undergraduate or graduate university courses about international choral repertoires, music therapy, or the culture of war refugees."
Guntis Šmidchens, University of Washington, Seattle, WA, USA in the Journal of Baltic Studies (2021), Vol.52, No.4, 635-644
"Resilient Voices would be of interest to music educators desiring to know more about the history of Estonian choral music and culture, the relationship between music and war, the tie between identity and music, and the role music can play in maintaining the culture of displaced peoples. Choir directors would find the quotes and stories helpful in providing context for the works and composers mentioned in the book. Resilient Voices shares the power of song to provide hope, healing, and resilience to people displaced by war and is an important contribution to research in Estonian choral culture."
Wendy K. Moy, Syracuse University, New York
"A must-read showing the power of choral music to provide hope and unity even in the darkest of days. Dr. Holmes has preserved an important part of Estonians' lives as refugees in displaced persons camps in Germany that would otherwise have been lost."
Liina Teose, Estonian American National Council 2016 Outstanding Achievement award recipient
"Resilient Voices is a major contribution to the study of Estonian choral music and song festivals, published at a time when musicians worldwide are intensely thinking about their mission and purpose. It also fills a critical gap in the international war migration studies, a research field that, unfortunately, has expanded dramatically in recent years...This book is a valuable resource for libraries serving high school and university choral programs, and its affordable digital version will be useful in upper level undergraduate or graduate university courses about international choral repertoires, music therapy, or the culture of war refugees."
Guntis Šmidchens, University of Washington, Seattle, WA, USA in the Journal of Baltic Studies (2021), Vol.52, No.4, 635-644
"Resilient Voices
would be of interest to music educators desiring to know more about the history of Estonian choral music and culture, the relationship between music and war, the tie between identity and music, and the role music can play in maintaining the culture of displaced peoples. Choir directors would find the quotes and stories helpful in providing context for the works and composers mentioned in the book. Resilient Voices shares the power of song to provide hope, healing, and resilience to people displaced by war and is an important contribution to research in Estonian choral culture."
Wendy K. Moy, Syracuse University, New York
"Resilient Voices is a major contribution to the study of Estonian choral music and song festivals, published at a time when musicians worldwide are intensely thinking about their mission and purpose. It also fills a critical gap in the international war migration studies, a research field that, unfortunately, has expanded dramatically in recent years…This book is a valuable resource for libraries serving high school and university choral programs, and its affordable digital version will be useful in upper level undergraduate or graduate university courses about international choral repertoires, music therapy, or the culture of war refugees. Singers everywhere will be encouraged and inspired by this uplifting account of musical resilience after extreme violence. Post-traumatic stress is a critical research topic in the twenty-first century, and this book contributes a vivid case study for understanding music’s healing effects."
Guntis Šmidchens, Journal of Baltic Studies, 52:4
