About the Book
William Empson was the foremost English literary critic of the twentieth century. He was a man of huge energy and curiosity, and a genuine eccentric who remained imperturbable in the face of all the extraordinary circumstances in which he found himself. The discovery of contraceptives in his possession by a bedmaker at Cambridge University led to his being robbed of a promised Fellowship. Yet Seven Types of Ambiguity, drafted while he was still an
undergraduate, promptly brought him world-wide fame.Empson invented modern literary criticism in English. He acted too as a cultural fifth-columnist, challenging received doctrine in life and
literature. 'It is a very good thing for a poet . . . to be saying something which is considered very shocking at the time,' he maintained. 'To become morally independent of one's formative society . . . is the grandest theme of all literature, because it is the only means of moral progress.'His public life took him through many of the major political events of the modern world -- the rise of imperialism in Japan, the Sino-Japanese war in China, wartime propaganda for the
BBC, and the Chinese civil war and Communist takeover of Peking in 1949. His friends and critical sparring partners included I. A. Richards, Kathleen Raine, J. B. S. Haldane, Humphrey Jennings, George
Orwell, Robert Lowell, Dylan Thomas, Stephen Spender, Helen Gardner, and T. S. Eliot.'It is of great importance now that writers should try to keep a certain world-mindedness,' he insisted. 'Without the literatures you cannot have a sense of history, and history is like the balancing-pole of the tightrope-walker . . . ; and nowadays we very much need the longer balancing-pole of not national but world history.' His passionate world-mindedness, and his humanism,
combativeness, and wit, are fully in evidence in this, the first of two volumes exploring his remarkable life and work.
Table of Contents:
Table of Dates
1: Introduction
2: In the Blood: Sir Richard Empson, Professor William, and John Henry
3: 'A horrid little boy, airing my views'
4: 'Owl Empson'
5: 'Did I, I wonder, talk too much?'
6: 'Mr Empson gave a very competent performance'
7: 'His presence spellbound us all': The Experiment Group
8: The Making of Seven Types of Ambiguity: Influence and Integrity
9: 'Those Particular Vices': Crisis, Expulsion, and Aftermath
10: Seven Types of Ambiguity: The Critical Reception
11: The Trials of Tokyo
12: Poems 1935
13: Scapegoat and Sacrifice: Some Versions of Pastoral
14: 'Waiting for the end, boys': Politics, Poets, and Mass-Observation
15: Camping Out: China 1937-38
16: 'The savage life and the fleas and the bombs': China 1938-39
17: Postscript
Appendix: Further Famous Forebears
About the Author :
Currently Head of Department at the University of Sheffield, John Haffenden was educated at Trinity College, Dublin and Oxford University, and began his teaching career at H. M. Prison, Oxford. He has received awards from the Authors' Foundation of the Society of Authors and the British Academy, and has been a British Academy Research Reader and a Leverhulme Research Fellow. He is a Fellow of the Royal Society of Literature and an elected founding Fellow of the
English Association.
Review :
`Review from previous edition Densely and illuminatingly written.'
Irish Times
`The arrival of the first volume of John Haffenden's exhaustive and authoritative biography of poet and literary scholar William Empson, then, is timely. For one thing, it shows that the debate rekindled by Derrida's death has been going on, in one form or another, for the better part of a century. More significant, though, Haffenden offers an intimate view of Empson's own grappling with the uses, challenges, and limitations of rational inquiry.'
Charlotte Taylor, Bookforum
`Haffenden's amazingly detailed narrative makes a rare old page-turner.'
The Independent
`Haffenden's marvellous book is full of shrewd readings, suggestive details, and comic facts.'
Guardian Review
`To conclude, Among the Mandarins is a remarkable achievement, it is something of a triumph, it is much more than a devoted exercise in biography or a meticulously researched study of the life - or half-life - of its eccentric and brilliant subject.'
Textualities
`a cracking yarn'
The Independent
`a stunning demonstration of the power of intellectual biography'
Ronald Shusterman, Universite de Provence
`measured and affectionate in tone, exhaustive in detail, lucid in the exposition of his difficult verse and often anguished life.'
Sam Leith, The Spectator
`Magisterial scholarship'
Ruben Christiansen, The Spectator
`A triumph. It is funny, dense, touching and farcical. This is an exhilarating tale.'
Margaret Drabble, Books of the Year, Times Literary Supplement
`Haffenden is without doubt the world's foremost authority on the details of Empson's life.'
Jason Harding, Times Literary Supplement
`a magnificent biography... [a] grippingly readable volume'
Terry Eagleton, New Statesman Books of the Year
`One of the finest biographies of an English literary figure.'
James Wood, Guardian Review
`Magnificent and surprisingly gripping book, intelligently written, with a background of thorough research, well-illustrated and well-indexed.'
Anthony Thwaite, Sunday Telegraph
`A wonderful book...Haffenden's research is exhilaratingly deep and wide, his feeling for both the work and the man is warm but always judicious, and his prose is a model of elegant, grown-up clarity, seasoned with quiet and civil wit.'
Kevin Jackson, The Sunday Times
`Haffenden is the most genial of scholarly chroniclers, adopting a leisurely and discursive pace and tone that are appropriately Empsonian in warmth and wit, as well as suggestive explications de texte. This is a very long and detailed book, in the door-stopper category but never for a minute dull.'
The Spectator
`In some biographies, the biographer has to keep out of his subject's way. On virtually every page of this biography, Empson writes or says something startlingly interesting in his startlingly unusual way.'
Adam Phillips, The Observer
`Few critics have done more for poetry than Empson (1906-1984); few have led stranger or more adventurous lives.... Empson's travels make entertaining reading.... The main reason for reading Empson's own writings is to see what he made of the authors he cherished. (He was the best reader Donne ever had.)... In an era when readers debate whether poetry matters, it helps to remember a man who defended it, and pursued his own arguments about it, even to the
ends of the earth.'
New York Times Book Review
