The Children of Húrin

Painstakingly restored from Tolkien’s manuscripts and presented for the first time as a fully continuous and stand alone story, the epic tale of The Children of Húrin will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, dragons and Dwarves, eagles and Orcs, and the rich landscape and characters unique to Tolkien. There are tales of Middle-earth from times long before The Lord of the Rings, and the story told in this book is set in the great country that lay beyond the Grey Havens in the West: lands where Treebeard once walked, but which were drowned in the great cataclysm that ended the First Age of the World. In that remote time Morgoth, the first Dark Lord, dwelt in the vast fortress of Angband, the Hells of Iron, in the North; and the tragedy of Túrin and his sister Nienor unfolded within the shadow of the fear of Angband and the war waged by Morgoth against the lands and secret cities of the Elves. Their brief and passionate lives were dominated by the elemental hatred that Morgoth bore them as the children of Húrin, the man who had dared to defy and to scorn him to his face. Against them he sent his most formidable servant, Glaurung, a powerful spirit in the form of a huge wingless dragon of fire. Into this story of brutal conquest and flight, of forest hiding-places and pursuit, of resistance with lessening hope, the Dark Lord and the Dragon enter in direly articulate form. Sardonic and mocking, Glaurung manipulated the fates of Túrin and Nienor by lies of diabolic cunning and guile, and the curse of Morgoth was fulfilled. The earliest versions of this story by J.R.R. Tolkien go back to the end of the First World War and the years that followed; but long afterwards, when The Lord of the Rings was finished, he wrote it anew and greatly enlarged it in complexities of motive and character: it became the dominant story in his later work on Middle-earth. But he could not bring it to a final and finished form. In this book Christopher Tolkien has constructed, after long study of the manuscripts, a coherent narrative without any editorial invention.

About the Author :
J.R.R.Tolkien (1892-1973) was a distinguished academic, though he is best known for writing The Hobbit, The Lord of the Rings and The Silmarillion, plus other stories and essays. His books have been translated into over 60 languages and have sold many millions of copies worldwide. Christopher Tolkien, born on 21 November 1924, is the third son of J.R.R. Tolkien. During the Second World War he served in the Royal Air Force and the Fleet Air Arm as a pilot. At the end of the war he returned to Oxford University and became a Fellow and Tutor in English of New College in 1964, lecturing in the University on early English and northern literature. Appointed by J.R.R. Tolkien to be his literary executor, he has devoted himself since his father's death in 1973 to the editing and publication of unpublished writings, notably The Silmarillion and Beowulf, and the collections entitled Unfinished Tales and The History of Middle-earth. Since 1975 he has lived in France with his wife Baillie.

Review :
"It has seemed to me for a long time that there was a good case for presenting my father's long version of the legend of the Children of Hurin as an independent work" Christopher Tolkien "The Children of Hurin is about to thrill and intrigue millions. It is safe to say that the 'great tale' of Turin is about to become a global myth!in its own dotty but also awe-inspiring way, it works." Sunday Times Culture "!worthy of a readership beyond Tolkien devotees!this book deserves to eclipse all his other posthumous writings, and stand as a worthy memorial to the imagination of Tolkien.' The Times "I hope that its universality and power will grant it a place in English mythology'! It isn't jolly, but then neither is Anthony and Cleopatra." The Independent on Sunday "It has seemed to me for a long time that there was a good case for presenting my father's long version of the legend of the Children of Hurin as an independent work, between its own covers, with a minimum of editorial presence, and above all in continuous narrative without gaps or interruptions, if this could be done without distortion or invention, despite the unfinished state in which he left some parts of it." Christopher Tolkien